Stage Takes

    • Reviewing Theater in LA

  • Saw: The Musical at The Hudson Theater

    Saw: The Musical is exactly how a musical adaptation of a film should be, fresh with its own flavor; proving that theater does not have to chase prestige to succeed. Instead of a play by play reenactment of the movie, the play takes comedic characters on a journey with a similar storyline (and pays homage to the notorious Jigsaw), using themes of queerness to spice up the absurdity. As one audience member perfectly summarized mid-show: “It’s so stupid. I love it.”

    For the bulk of the runtime (a whopping just about 2.5 hours or so) the structure follows to men chained to opposite sides of the room. Their darkest secrets and sexuality shine with humor as the play moves along. The cast frequently breaks the fourth wall, but does so with intention and timing, creating a playful relationship with the audience rather than cheap winks. I really liked all of the actors, no notes. The three performers play multiple characters (for the most part) and I was pleased with how far these actors were able to take their roles. Fun effects were used and the first two rows were considered “splash zones”.

    The piece often feels like a sketch show that could have used a tighter runtime. The bit is funny, but goes on for too long. I’m glad I got to catch this show before it leaves The Hudson on Monday 1/12/2026. Big team put this together, looking at the program. Music and lyrics by Patrick Spencer & Anthony de Angelis, with the book by Zoe Ann Jordan. Could not tell, by the program, if this is by a theater company or the producers created a team to make this happen. One more note is that theater in Los Angeles is becoming way too expensive. I recall Sacred Fools put together an initiative to not charge over $15, but other theater prices are outrageous. I literally paid more for a ticket at Hudson more than rush ticket at Pantages. Whoever is calculating prices, get yourself together.

    January 11, 2026

  • The Notebook: The Musical at The Pantages Theater

    No surprise here, another stunning performance at The Pantages Theater. The Nicholas Sparks novel, The Notebook, which also became a film, got adapted into a musical production by Chicago Shakespeare Theater. The story follows a lifelong love story, in three different stages of these characters lives, how love will heal all. I remember, a decade ago, a fellow acting student said to me, “If you need to cry, then watch The Notebook.” And boy did this make us cry at several points in the production. Each actor carried the songs with their beautiful voice and the ensemble worked well together. The plot stayed noble to the film, keeping it grounded in reality and limiting fourth-wall breaking dance numbers. One of my few after thoughts is that it could have been done without intermission. The audience was blown away. Me, I could not stop comparing it to the film. It was entertainment for me. Of course, I am left with the message of love, the modern day fairy tale.

    Perhaps this invites a new discussion, movies turned into musicals, do they work? I can’t say I have seen very many of them but would love to hear your thoughts. I would also love to see a cult classic film, one that few know about, turned into a musical.

    January 9, 2026

  • January 2026 in Los Angeles Theater

    Here are some shows coming up this month in Los Angeles. Open to adding to the list, let me know if I forgot any!

    The Notebook: The Musical @ Pantages Theater

    January 6 to 25, 2026

    https://www.ticketmaster.com/the-notebook-touring-tickets/artist/3656159?venueId=90160&irgwc=1&afsrc=1&clickid=1vYwPNX0exycRCIWArzQ5XINUkpVzfypM2TzxA0&camefrom=CFC_BUYAT_255291&impradid=255291&REFERRAL_ID=tmfeedbuyat255291&wt.mc_id=aff_BUYAT_255291&utm_source=255291-TheatreLimelight&impradname=TheatreLimelight&utm_medium=affiliate&ircid=4272

    The Club of Broken Fasts @ The Long Beach Playhouse

    January 9, 10, 11 2026

    THE CLUB OF BROKEN FASTS

    30 Minutes or Less Festival

    Stephanie Feury Studio Theater

    https://www.30minutesorlessfestival.com/

    January 15 to 25, 2026

    Saw: The Musical, The Unauthorized Parody of Saw

    Hudson Theaters

    January 10-12, 2026

    https://feverup.com/m/146845?utm_source=affiliate&utm_medium=impact&utm_campaign=&utm_content=255291_TheatreLimelight&irclickid=QGyVNaRPfxyKUjqU6jzDhQZeUkpXUM2dM2TzxA0&irgwc=1&afsrc=1

    Tarantino Live: A Pulp Rock Extravaganza

    Through January 24 at CineVita

    https://tarantinolive.com/los-angeles/?utm_source=google&utm_medium=sc_brand&utm_campaign=389009_lax&utm_content=772621332707&utm_term=tarantino%20live_p&gad_source=1&gad_campaignid=22987856101&gbraid=0AAAAADGO9U8eZtbKSIsrIc4ywuce2bVYF&gclid=CjwKCAiA3-3KBhBiEiwA2x7FdG8BiM6e2O8Jay3asqFv501p_3jgzaKArOM3rUzqQGpFbAiXPi1nZRoCw2QQAvD_BwE

    Lost In Yonkers @ Kentwood Players

    January 16 to February 7, 2026

    https://app.arts-people.com/index.php?show=235598

    What Opa Did @ Theater 40

    January 15 to February 15, 2026

    What Opa Did

    Brownstone by Catherine Butterfield @ Open Fist Theater Company

    January 22 to February 28, 2026

    https://openfisttheatre.my.salesforce-sites.com/ticket#/events/a0NPj000004W6kjMAC/2026-01-23T20:00:00-08:00

    January 5, 2026

  • This Week in Los Angeles Theater

    I’m happy to edit the post and add more shows, just let me know:

    12/23/2025 – 12/31/2025 Now Playing:

    The Club of Broken Fasts @ The Long Beach Playhouse

    January 9, 10, 11 2026

    THE CLUB OF BROKEN FASTS

    Saw: The Musical @ The Hudson Theater

    Through 12/31

    https://www.onstage411.com/newsite/show/play_info.asp?show_id=7371

    Santasia, A Holiday Comedy @ Whitefire Theater

    Through 12/27

    https://www.santasia.com/

    Bob Baker’s Nutcracker @ Sierra Madre Playhouse

    Through January 4, 2026

    https://www.sierramadreplayhouse.org/event/nutcracker2025

    The Enormous Crocodile, The Musical @ Kirk Douglas Theater

    Through 1/4/2026

    A Christmas Carol @ Segastorm Stage

    Through 12/28

    https://www.todaytix.com/los-angeles/shows/42398-a-christmas-carol

    Stereophonic @ The Pantages Theater

    Through January 2, 2026

    https://www.ticketmaster.com/stereophonic-touring-tickets/artist/3656184?venueId=90160&irgwc=1&afsrc=1&clickid=1vYwPNX0exycRCIWArzQ5XINUkpVzYSJM2TzxA0&camefrom=CFC_BUYAT_255291&impradid=255291&REFERRAL_ID=tmfeedbuyat255291&wt.mc_id=aff_BUYAT_255291&utm_source=255291-TheatreLimelight&impradname=TheatreLimelight&utm_medium=affiliate&ircid=4272

    Coming Soon:

    30 Minutes or Less Festival

    Stephanie Feury Studio Theater

    January 15 to 25, 2026

    Lost In Yonkers @ Kentwood Players

    January 16 to February 7, 2026

    https://app.arts-people.com/index.php?show=235598

    What Opa Did @ Theater 40

    January 15 to February 15, 2026

    What Opa Did

    Brownstone by Catherine Butterfield @ Open Fist Theater Company

    January 22 to February 28, 2026

    https://openfisttheatre.my.salesforce-sites.com/ticket#/events/a0NPj000004W6kjMAC/2026-01-23T20:00:00-08:00

    The Notebook: The Musical @ Pantages Theater

    January 6 to 25, 2026

    https://www.ticketmaster.com/the-notebook-touring-tickets/artist/3656159?venueId=90160&irgwc=1&afsrc=1&clickid=1vYwPNX0exycRCIWArzQ5XINUkpVzfypM2TzxA0&camefrom=CFC_BUYAT_255291&impradid=255291&REFERRAL_ID=tmfeedbuyat255291&wt.mc_id=aff_BUYAT_255291&utm_source=255291-TheatreLimelight&impradname=TheatreLimelight&utm_medium=affiliate&ircid=4272

    Jesus Christ Superstar

    The Nocturne Theater

    March to April 2026

    December 23, 2025

  • Dungeons & Dragons: The Twenty-Sided Tavern at The Montalban Theater

    Closing the year off with what might have been my favorite theatrical experience, seeing a live performance of Dungeons & Dragons. The experience was FULL; it was improvised, interactive, and immersive. A synchronistic event for myself, at that, as I have been working towards learning DnD, and eventually a therapeutic game master certification. As I entered the space, I could already see audience members wearing merchandise as if they had been here before. The program gives us a sticker to decide which team we are on. We scan in on our smart phones to get to a website where we would eventually vote on the story. The interior of a castle set, with projections changing throughout the show, and different colored stage lights to set the mood.

    The cast was exemplary, fully committed to every bit and playful with the audience. The audience even voted which character the actors would play. Based on the program I would assume this is a rotating cast but they all seemed to have great chemistry with each other. We even got two special guests who commanded the stage! (Forgive me, I cannot remember who those celebrities were). I could not tell you where the plot went, or how we got from here to there, because I was just having so much fun and so involved in voting for these character’s choices. Several audience members got to go on stage and help ther characters on their journey. A truly one of a kind theatrical experience and probably a dream come true for any technical designer, prop master, etc. as they too were able to play with the cast. My hat goes off to the dungeon masters and the players who brought magic to the stage with comedy.

    This was the first time I had bought merch from a theater performance, and I am considering traveling to Dallas in January to see them again. Alas, Sunday December 21 was their last show in Los Angeles.

    December 22, 2025
    dd, fantasy, gaming, reviews, rpg

  • Paranormal Activity at The Ahmanson Theater

    I’m back to reviewing, or so //i hope. Been a little burnt out from the 68 shows I reviewed in June at HFF. Bear with me. It’s tough typing with a disabled hand. I can write about my own journey too, ya know. It’s been a tough past month. Thanks for reading.

    I have been wanting to see Paranormal Activity on stage for quite some time now, and it is the first thing I’m doing thing since my recent injury. Thanks to Black Friday tickets. I was a big fan of the hit movie in 2009 and had a big expectations. Horror on stage is risky, as in it might not hit, but this show strategically found good moments and fit the music in at the right spots. Sitting back row at a big theater did not help. I spent the first quarter thinking about how lonely I was in the auditorium. There were two people I tried to talk to, but nothing came of it. First quarter of the show is very long, draining. Ordinary couple, with unanswered questions. It kind of seemed two dimensional. Performances were standard, these characters had nothing extraordinary about them – It seemed. Lou deals with depression and hid it well. It is a play about the shadow, un dealt with life that seeps up to the surface. Cher Álvarez does a great job in flipping her shadow switch on and off, Patrick Heusinger plays straight man until the character can no longer hold it together, and has us hold him till the very end. Both actors do a good job with mediating the supernatural and real life. The theater magic Surprises us at the right times. All in all, I will say the show starts out pretty slow, but once the suspence begins, you will be jumping out of your seats. It is not a straight up adaptation of the movie, but a similar concept.

    December 4, 2025
    film, horror, movies, review, reviews

  • Hollywood Fringe Festival day 23

    Kittens at The Broadwater

    Wow, this show blew me away! It had the heart and soul of Fringe in it, a strong message with excellent story and not too complicated design. Had to cry in my car before congratulating the writer; one of the few shows that made me cry. Expertly written (and performed) characters who have both conscious and unconscious goals that develop throughout the story. Historical fiction that bites into our soul, with no unneeded emphasis on sexuality. Shows the dualities of a woman’s experience living within a man’s world. This show has strong roots, and I can’t wait to see how it develops. One of my Fringe favorites.

    Magnet of Chaos at The Broadwater

    Sarah Lazarus is one of a kind! Sarah takes us on an interdimensional journey with Jennifer Coolidge and Bernie Sanders, both voiced by her, to find her own trauma. This piece was incredibly fun, super funny, and tackles raunchy themes.

    The Eddies and the Pypers at Actors Company

    Powerful show about death and grief, a strong subject for the stage. One of the few shows I have seen that made me cry. Very strong acting with an excellent supporting cast. Nice direction and good use of the stage. Because this was originally written for the screen (as stated in the program), I wanted to hate this but couldn’t – the story was excellent and philosophical in nature. It felt very written for the screen. Short scenes and quick blackouts. The audience would clap after every blackout even if it was just a transition scene.

    Beth Wants the D at The Broadwater

    An incredible one person show on mental health. Beth starts the show off an an audience member for a production of Dog Hamlet and jumps on stage due to her compulsive thoughts. She takes us down the rabbit hole of those thoughts, mixes them with mental health, and educates us about the journey of mania and depression which leads to her diagnosis. Even though the subject matter can be tough, she keeps the show fun with her one of a kind, comedic personality. A truly inspiring and insightful story.

    June 30, 2025
    book-review, review, reviews, theatre, writing

  • Hollywood Fringe Festival, day 20

    Chasing Sunstreaks at Easwood Performing Arts Center

    A music show with all of the right elements. I wondered if this was the premiere of an album, as vinyls were being sold outside. A rich, poetic, and meditative experience. Tara takes us on a journey through song and storytelling, creates a safe space for us to travel to. I had no idea what to expect and left the stage with bliss. The story itself is broken up by Tara’s music.When we walked into the stage, we see two musicians seated, who remained on stage. I wondered why the two musicians were on stage throughout the performance, they didn’t play often enough to be needed for the full show.

    Smut with Entendre Entendre at Actors Company

    An excellent show for the Actors Company Studio Space theater, intimate show. Entendre Entendre presents her memoir and engages with the audience using her confidence, charm, and dare I say, sexual energy. Bryn captivates the crowd, creates risky moments, and makes us laugh throughout.

    June 30, 2025

  • Hollywood Fringe Fest day 17

    Too Much of a Good Thing at Skiptown Playhouse

    Show started 15 minutes late, breaks the golden rule of Fringe. Loved Rachel’s energy as she carried this show. She plays a few characters throughout. I feel I am not the audience for this show, I could tell most of the audience was her friends. It is a personal piece and there is very strong musical theater school energy to it. Show filled woth humor.

    Titi Lee: Good Girl Gone Baddie at The Yard Theater

    Started out with a dance bit, got the crowd’s energy moving. But then, I’m thinking, is this a stand up show? Unlike some of the other one person shows that I’ve seen, this one is so fresh — Lee speaks to us as if this is her first time saying these words, so natural in their delivery. The show moves through different themes smoothly and makes us laugh throughout. Very eye opening into living the non binary experience. Loved the final message!

    June 29, 2025

  • Hollywood Fringe Fest, day 20

    Just To Be Close To You

    Electrifying show that utilizes clown work and audience participation. Cameron Poter does such a great job with making something out of nothing. The production has structure to it yet Poter magically makes us, the audience, feel like we are guiding it. I walked in late and the character had greeted me, in front of everyone, asked an audience member to give me his seat; he refused and I thanked him for the refusal. Cameron makes every audience member a part of the show. I loved how, throughout all of the randomness, we are led to a touching, heartfelt finish.

    79 Ways To Die at LGBT Center

    One of the most entertaining shows I have seen this year, and a brilliant concept. Fans of the bard, rejoice! A unique experience that gives light and laughter to some of Shakespeare’s darkest scenes. This immersive experience uses audience participation to the max. A show with two dynamic hosts who run through all of the deaths in Shakespearean plays, as if it were a game show, with two actors (was three but one died – it’s an inside joke). The hosts are live, they are working with what the audience gives and keeping us all safe. I loved how extreme some of these battle scenes got, the audience members who got on stage had no idea what they were doing but the fun energy had us all commit to the bit. Physical comedy executed by the two actors is so eloquent and smooth. This show is a once in a lifetime experience, quite literally because each audience will commit differently. You don’t want to miss it!

    June 27, 2025

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