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Stage Takes

    • Reviewing Theater in LA

  • Hollywood Fringe Festival 2026, day 19

    Comics Reading Comics at Three Clubs

    A special experience for the Fringe, Nick and Shoshanna bring their on-going show to the Festival! Actors/comedians reading from classic comic books “word for word, with 100% accuracy” and we are in for a treat with how outdated it sounds. The show is a dream come true for vomic book lovers. Hilarity through the unmatched committment by performers! Full of surprises and engaging experiences; more than just a staged reading! My initial though was, please me this a series; so I’m happy we can catch it again!

    Goody at The Broadwater

    Set in the Salem Witch Trials, this one person show follows a house keeper who is trying to do good (by use of clown work). Played be Elena Martinez, who has the uncanncy ability to find the uncanny in everything. The show is s trip, you will find yourself laughing throughout each moment as she tries to get her job done. She plays with us from the start, a true joy to play with Goody, and an unforgettable comedic performance. Incredibly goofy with escalating hilarity!

    July 8, 2026

  • Moments In Flight at UCB

    I ussually would not write about a show I have seen at UCB, but this is a well-polished character showcase that I am now seeing for the third time and it gets better every time! Aiden O’Conner brings her wildly hilarious show, Moments In Flight to the Upright Citizens Brigade for a one-night showcase and doesn’t fail in making us laugh till we drop! A masterclass in playing distinct characters, keeping us laughing, and magically making us tear up at the end through a few lines. She gets it done the Jeanette Way! A flight attendant, a non-stop talking passenger, a teacher that has been the butt of a senior prank, all blended into letting Aiden shine her personal light. Her take on blending Fifty Shades of Grey with OCD is unforgettable comedy, you had to see it to believe it! I’m glad this show came back and I hope it keeps on coming. Aiden O’Conner is a performer I keep my eye on, and I await the next production she puts together. If this comes back, HIGHLY RECOMMENDED

    July 7, 2026

  • Hollywood Fringe Festival 2026, day 18

    White Lillies at Upstairs @ El Centro

    I first heard about White Lilies from the director of another Fringe show, who gave it a glowing endorsement during his curtain speech. After seeing it for myself, I can confidently say the praise was well deserved. The play follows a writer, who receives an unexpected visit from his brother. What begins as a simple reunion quickly unfolds into something far more complex, exploring themes of family, parenthood, and more. As the conversations deepen, layers are peeled back and the audience is drawn into a world filled with surprises, revelations, and emotional complexity. Highly recommended! This is theatrical magic on multiple levels. The story is gripping from the outset, and gets deeper as the story unfolds. Theatrical magic in terms of design and that’s all I will say there. The actors both humanity and tension to the stage.

    Roast Your Chestnuts at The Hobgoblin Playhouse

    A fun experience, I have nothing but praise for this! Tanya Dickson, a Fringe veteran, brings Ms. Claus to the Hollywood Fringe, and quite literally. She tells tales of her travels from the North Pole to Hollywood.

    Eliza EGOTS at The Stray Theater

    A brilliant piece to find out if Eliza becomes (?) begets (?) the EGOT In this hilarious one-person show we follow Eliza’s career as a former child ‘star,’ testing out her many talents. We laugh as she carefully laughs at herself, while getting through sensitive subjects.With sharp wit and infectious charm, she isn’t afraid to poke fun at herself, transforming personal experiences and more sensitive subjects into moments of genuine humor and connection. Eliza’s charisma keeps the audience engaged throughout, making for an entertaining and memorable hour of theater.

    June 29, 2026

  • Hollywood Fringe Festival 2026, day 17

    Murder Podcast: The Musical at The Matrix Theater

    A cast of two leads, who command the strage through a musical that is full of laughs, original songs, and playful performances. The play follows (one of the many) murder podcasts in Florida, and the bond between a host and her engineer, as the play goes on tensions strengthen and mysteries unfold. I will praise the smart writing, diverse characters, and a great use of physical humor. A fast-paced and entertaining show.

    Second Rodeo at The Broadwater

    A hidden gem at the Hollywood Fringe, excellent writing and direction with strong performances; delivers a punch to the gut, one can say. Strong story that follows the retelling of living with someone suffering from addiction, through the use of clowns. Poetic, touching, and rich are all words that speak to the feeling I had after watching this production. Unlike anything I have seen before; beautifully capture by the writing, acting, and directing. Art the makes you think and feel.

    No One But Me My Dear at Thymele Arts

    We enter into a spooky space. I can’t recall everything that happened and another audience member stated “I couldn’t follow”. Great performance though, Adam really stretches out on this one.

    Something Spooky at The Broadwater

    Something Spooky by Jon Schnitzer is something special and absolutely not to be missed. Schnitzer is a master storyteller, weaving horror and comedy together in a way that feels both intimate and unexpectedly personal. The show has the atmosphere of sharing ghost stories around a campfire with friends, elevated by clever theatrical effects that deepen the sense of dread. I can’t remember the last time a one-person show genuinely scared me while keeping me thoroughly entertained. Schnitzer has an uncanny ability to build tension, deliver laughs, and leave audiences hanging on every word. It’s easily in my Top 10 of the Fringe.

    This Show Has Been Cancelled at The Broadwater

    I couldn’t follow. Had to leave early due to scheduling.

    Jester at The Broadwater

    A 90-minute comedy, smart and ambitious by young performers. I love how the play followed a concrete, comedic storyline and was filled with young adult humor. The script plays around with language, humorously finding the slang for the castle. Felt like Superbad in the Renaissance era.

    June 26, 2026

  • Hollywood Fringe Festival 2026, day 16

    Don’t Kill Daisy at The Broadwater

    Don’t Kill Daisy at The Broadwater, created and performed by Soleil Kohl, feels like the world’s first live-action video game. The immersion begins the moment you walk through the door. Audience members are invited to select props that become part of the adventure, and Kohl incorporates these choices with astonishing improvisational skill, weaving them seamlessly into the performance with impeccable timing. This was one of the most purely fun experiences I’ve had at Fringe. Every moment feels alive, unpredictable, and collaborative. Kohl has created a show where the audience isn’t simply watching—they’re helping shape the world in real time.

    What impressed me most was Kohl’s ability to transform the simplest audience contribution into something meaningful. At one point, I tossed a small stuffed prop into the mix, and within moments it had become the centerpiece of an entire world, complete with its own mythology and monologue. The same imaginative alchemy happened again and again throughout the show. Don’t Kill Daisy is a remarkable display of creativity, improvisation, and audience engagement. Unforgettable, delightfully weird, and unlike anything else at Fringe. I can’t wait to see what Soleil Kohl creates next.

    Little Chaos

    Little Chaos at Cat’s Crawl is one of my top ten Fringe shows this year. I was completely blown away. The production unfolds like a dream—fluid, surreal, and emotionally resonant in a way that’s difficult to describe but impossible to forget. At its heart, the show feels like an exploration of what modern dating does to the soul. Rather than telling a straightforward story, it creates a theatrical language of feeling, transforming emotion into movement, image, sound, and space. The production makes masterful use of every inch of the stage, and Cat’s Crawl proves to be the perfect venue for its intimate yet expansive vision. Watching it felt like stepping inside a moving painting—each scene flowing seamlessly into the next, creating an experience that is felt as much as it is understood. The ensemble is flawless, executing every moment with precision, commitment, and remarkable chemistry. For longtime Fringers, the closest comparison I can make is the feeling I had seeing Mandy Rubeli’s Dinosaurs for the first time in 2023: that rare sensation of discovering something wholly original, deeply personal, and unmistakably special.

    30 April 1975: How We Left

    A concise, 30-minute play detailing the resilience of leaving a war-torn Vietnam, Vivi Thai does a great job in presenting her deeply personal story, allowing use to feel through by images and documents, personal accounts. Vivid stories and images that remind us of the horrors of war. Important, intimate, and lessons that will stay with us long after the show ends. I know Vivi will continually work on this and I can’t wait to see how it will develop.

    Welcome To Hell

    I went again. So much fun!

    June 23, 2026
    comedy, review, reviews, theatre, writing

  • Hollywood Fringe Festival 2026, day 15

    Being The Perfect Woman at The Broadwater

    Seen this at 30 Minutes or Less Fest and I think it’s too important to miss! Diaz shows us what society wants from the “Perfect Woman” and how harmful that can be to everyone. Sharp, concise, and full of heart; awakens us to our own humanity in a 30 minute show. Diaz does a good job connecting with the audience, rather than lecturing us, finding ways to include each of us in same way. Too short, ends too quickly. I want more!

    On The Line at The Broadwater

    Writer/director Pam Eberhardt and Dan Testa return to the Fringe Festival with a tense, psychological thriller about crisis counselors working the overnight shift. I first heard about this show as I saw audience members walking out of the theater, after the show had ended, remarking, “That show was so good… intense!” And I cannot help but agree! The show is more about the relationships within the center, the unfolding of character, than the crises they work on. With chilling performances and a strong script, these actors do a good job at getting into each other’s skins.

    Early Day at Actor’s Company

    Powerful, intense subjects. Follows a therapist and how they take care of themselves outside of the office. Feels like a few different episodes, on the different lives of Therapist’s clients and their lives outside. Poignant moments with touching scenes. Actors were too young. Passionate piece. Not my cup of tea.

    Husky Whispers: Baked Alaska at The Broadwater

    Riley Smith and Cole Cuomo bring the band, made up of Husky and Whispers back to the Hollywood Fringe, and keep us entertained for a fascinating late night show! The show is full of musical acts with comedic breaks, in the unique tons of these original characters. An unforgettable storytelling and musical experience that is full of songs that you will be humming along to on your way home! Could almost feel the ground shake through their voices.

    June 23, 2026
    comedy, fringe, reviews, theatre, writing

  • Hollywood Fringe Festival 2026, day 14

    The Fisherman’s Wife at LGBT Center

    A play that follows a relationship of unmet needs, and the lengths of fantasy that it can reach. A farce with hilarious twists. It was their last show, and sold out; I’m hoping to see it return! I can describe this show as sexually hilarious, using physical humor for maximum comedic moments. Really great technical features as well as puppet work. Found myself smiling all the way through, with these smart performances.

    Hot Yoga at Bad Ladder

    The play started about ten minutes late, and still I rushed over. Was this performance art, the late start, I doubted; like a yoga class that starts late? Anyways, I wrote a big part in my notebook about this late start… on with the review. A hilarious exploration of a small-town yoga teacher who dreams of moving to Los Angeles and dreams of becoming an actor. Ruby Marker brilliantly commands the stage, turning every moment into a comedic oppurtunity. A perfect show for anyone who is/has been an actor living in Los Amgeles. HLARIOUS character arc, haven’t laughed that hard in a while. Loved the way Ruby worked with the volunteer students and keeps the show flowing and lively.

    Anxiety: The Musical at The Broadwater

    Jasmine Elist delivers a captivating and deeply relatable performance in Anxiety the Musical! (do you like that title? is that okay?), guiding audiences through the many ways anxiety has shaped her life across different stages and experiences. Through original songs, character work, and plenty of humor, she transforms a topic that can feel overwhelming into something accessible, entertaining, and surprisingly uplifting. Likely going in my top ten! What impressed me most was how universal the themes felt and how coordinated everything comes together (despite, as she shows, how messy the disorder can get). The show is funny, educational, and heartfelt. With unique style and genuine sincerity, Ellis connects with us as audience and allows us to go on this ride together

    June 23, 2026

  • Hollywood Fringe Festival 2026, day 13

    Vote For Tom Ryan: One Last Time at The Broadwater

    I have not seen the other Tom Ryan shows, but this is the other shows with an added third act. Vote For Tom Ryan follows Tom Ryan who is in the midst of running for high school president. He, and his classmates, take this election as serious as if it were the U.S Presidential Election. From there, comedy ensues. I thought it is a smart, sharp, and charming comedy with a grounded premise and what I loved most was the commitment of the characters/actors.

    Sister Bernadette Runs The Light

    Sister Bernadette gets the part started! A wonderful show and Stellar performance from Indiana Wilson who keeps us laughing nonstop. I had no idea what to expect, but am glad I joined the fun. Wilson makes for a charming and confident performer, creating a character that lets her express many different talents. I liked how, while fully in character, the Sister could interact with audience members. A short, balanced work of comedy. No notes!

    Bless This Jess at The Broadwater

    A blend of history and mental health, with surprising and insightful twists. Jessica Martin takes us through the history of Joan of Arc while also detailing his life, finding parallels. I could not help but think of Joseph Campbell’s saying, “Find your myth” and Jess sharing the synchronicity that comes with it. There is the saying, “You can give a guy a fish, or you can teach him how to fish” but Jess teaches us how to want to find out more about fishing, ignites our curiosity, through her journey in what i can call, the best history class I have attended in years! She is an engaging presenter and sprinkles humor in at the right moments with balanced trasitions.

    June 23, 2026
    book-reviews, books, comedy, fiction, movies

  • Hollywood Fringe Festival 2026, day 12

    Do Not Ressucitate at Three Clubs

    Could not stay for this one. Had an emergency to attend to. Not my cup of tea.

    Maniac

    A show about nonsense, but a fun one at that! John gets on stage and plays with us for about an hour, inviting us into his imagined life.

    June 22, 2026

  • Hollywood Fringe Festival 2026, day 11

    Hold That Thought While I Scream at The Hobgoblin Playhouse

    This play was pitched to me as “a therapist trying to manage her inner thoughts,” which immediately caught my attention. I know a thing or two about therapy and the ethics of therapy, so I thought I would check this out. Early on, I found myself wondering whether the playwright had consulted with a therapist, as some of the situations felt removed from how therapy would unfold in real life.

    Then I reminded myself: this is a play, not a documentary.

    Once I let go of the expectation of realism, I was able to appreciate what the production was actually exploring, the anxiety of living truthfully. The three acts didn’t feel particularly linear to me, and felt like an exploration of the main character through different episodic stages. The characters continually switch between the straight-man of comedy and different roles of absurdity, exploring different masks to their core. Ultimately, I really enjoyed the play’s willingness to move through different dream states and psychological landscapes. The show is strange, funny, and emotionally resonant, and keeps you thinking about the different characters after the show is over.

    MPAT’s Burt Thunders Presents: The First Annual Fundraiser to Save the Whales at The Zephyr Theater

    Burt Thunder is a delightfully unhinged comedy that thrives on chaos. The premise is wonderfully simple: fading local celebrity Burt Thunders is determined to raise a million dollars to save the whales through a telethon, and his increasingly desperate attempts to do so send the entire production spiraling into absurdity.

    The real joy of the show comes from watching a slow-motion disaster unfold. The characters’ situations become progressively worse, and the comedy escalates right alongside them. Every new setback feels like another wave crashing over an already sinking ship, and the audience is invited to laugh at every glorious catastrophe.

    The ensemble delivers charming performances filled with distinct personalities, giving each character a memorable presence amid the madness. The production also makes excellent use of the performance space, and the props are deployed with creativity and confidence, becoming an essential part of many of the show’s biggest laughs.

    My one criticism is that the show occasionally struggles to find its exit. Several moments feel like they could have served as satisfying endings, yet the story continues beyond them. While the comedy remains entertaining throughout, tightening the final stretch would give the production an even stronger impact.

    The Magic Computer at LGBT Center

    A staged reading for the most part, but I was blown away. Deeply personal, the one-person show follows Kel Cripe’s journey into discovering their gender. The Magic Computer offers unsolicited photos that are memories from the past, and Cripe is here to share and explore what has come up on their magic computer. Cripe has a comedian’s instinct for finding humor in vulnerability, and the laughs arrive naturally alongside genuinely moving moments. As they read through her story, we see pictures of their life in different stages projected behind. A wickedly funny and important show, one that offers insight and soul-stirring moments. What I liked most about Kel’s performance was the aliveness and connection they created with the audience for the hour; they were not simply reading from a script, but they were reacting to the living space between us. For instance, as we heard audience clapping for another event outdoors, Kel would respond to the applause humorously. I highly recommend this show. Like the memories it explores, you never quite know what will surface next, and that’s part of what makes the experience so special.

    Coffee Date at The Broadwater

    A charming, witty, and surprisingly heartfelt romantic comedy that captures the awkwardness, excitement, and vulnerability of dating later in life. The cast delivers strong performances across the board, bringing warmth and authenticity to relationships that feel real and connected. The dialogue is sharp and funny, funny moments with genuine emotional depth.An interesting take on dating in the modern era, heavy with philosophical discussion. Very relevant themes, but I don’t want to spoil anything. A comedy that feels like a Woody Allen play. I’m not sure it needed to be on main stage, felt like it could use more intimacy at a smaller space. Also, why were audience members seated on stage to create ambiance?

    June 22, 2026
    comedy, humor, movies, reviews, writing

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