Stage Takes

44 The Musical, now playing at the Kirk Douglas Theatre in Culver City, is a wildly entertaining, high-energy romp through the Obama presidency that keeps the laughs coming from start to finish. Writer, director, and lyricist Eli Bauman orchestrates the production with a confident hand, delivering a show so sharp and quick-witted that you barely have time to catch your breath between punchlines.

The show is a masterclass in political satire, with an unmistakably left-leaning lens. Bauman doesn’t shy away from making his point, and characters like Ted Cruz (played by Michael  Uribes) and Herman Cain (Dino Shorté) are portrayed with hilarious, over-the-top flair. The jokes land hard, and the satire is biting—but always playful, never mean-spirited. The musical numbers are cleverly written and expertly performed, blending commentary with just the right amount of absurdity.

The play looks at the Obama presidency through the lens of Joe Biden, which already sounds comedic. I will say that, at first, I felt the story lacked structure. It began with various monologues setting up exposition for the play, reminiscent to that of an Ancient Greek chorus, and then scenes which felt like different episodes out of a sketch show. Needless to say, the story did build up and themes played throughout the show. T.J Williams as Barack Obama and Chad Dorick as Joe Biden led outstanding performances and made a strong comedic duo.

What sets 44 apart is how well the cast manages to sidestep the trap of impersonation. Rather than mimic the real-life political figures they portray, each actor builds a distinct, stylized character, leaning into caricature without losing nuance. It’s a smart choice that adds depth to the comedy and makes the satire all the more effective. Shoutout to Summer Nicole Greer who played different ensemble characters and showed remarkable ability to stay captivating on stage and exceed with musical talent.

The ensemble is uniformly strong, showcasing a high level of talent in singing, dancing, and acting. Transitions are seamless, the choreography crisp, and the energy electric. Whether belting a solo or diving into a tightly coordinated ensemble number, the cast delivers with precision and enthusiasm.

For audiences who lean progressive, 44 The Musical will feel like a home run. It’s cheeky, subversive, and just the right amount of ridiculous. But above all, it’s a joy to watch—an uproarious, well-crafted piece of musical theater that wears its politics on its sleeve and its heart onstage.